February 26, 2013

Reviewed: Enslaved

The Sinclair, Cambridge, MA
Photos by Kaitlin Deveau

There aren't many posers in the Norwegian metal world. That corner of Scandinavia takes their metal quite seriously, producing some of the most extreme, heavy, melodic metal out there. In the diverse scene there, Enslaved are the cream of the crop, respected all around the world for their consistently intriguing use of growls, speedy bass drums, screaming guitars, and guttural bass, without forgoing strong melody.

After final opener Pallbearer left the stage and their equipment was whisked off, an odd emptiness covered the stage for over 30 minutes. The Norwegians were running late due to bus troubles, but when they eventually pulled in, the crew worked at super speed to ensure that they were able to play (albeit a shortened set). Despite the fact that they were only on stage for an hour, they used every minute of it, cramming in "Thoughts Like Hammers" and others from their 2012 album RIITIIR, fan favorite "Ethica Odini," and unearthing old black metal from their 1994 album, Vikingligr Veldi. The crowd's unrest about the late arrival quickly dissipated into moshing, crowd surfing, and awe at the group's huge stage presence.

They end their tour tonight, which is a shame for all of you out there who missed them, but have no fear! Twelve albums deep into their 20 year career they show no signs of slowing down. They are one of the most prolific metal bands, rarely waiting 2 years between releases. Lucky us!

See the rest of the photos here!

Note to The Sinclair:
The venue, located in Harvard Square, is Bowery Boston's brand new plan to capture bands that would otherwise play The Middle East and Brighton Music Hall. While the layout, size, and overall feel of the place is great, they should have figured out how to do the sound for a metal show before booking one. Opener Pallbearer's doom riffs sounded awfully sludgy and the vocals were completely lost in the mix. Enslaved sounded good in comparison, but still not great considering the intimate size of the venue. The Middle East has mediocre sound at best, and if The Sinclair wants to steal their thunder, it might want to step their sound game up a bit. Also the lack of security at a show where moshing was inevitable was quite worrisome. While some people don't mind a shoe to the head in the middle of a concert, I know I speak for others when I say that the venue should have kept things a little more under control. 

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